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In his poetry, Houman Harouni has peopled a world with voices that are well worth listening to.
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The advantage to listening to the recorded Unstuck in Time: The Kurt Vonnegut Suite is that on disc pianist Jason Yeager writes beautifully for septet: the textures he evokes in his arrangements are curiously varied and invariably moving.
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Vince Guaraldi isn’t the heaviest of jazz pianists: he played at a time when McCoy Tyner and Bill Evans were omnipresent. But his tunes, his gently humanist approach to music, meant that he reached listeners that others couldn’t or didn’t.
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Black Panther: Wakanda Forever is miraculous, in that it’s a Marvel movie that doesn’t come across as a link of sausage plopped wetly out of the Disney grinder.
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“A lot of people don’t know about this fire today. It’s not really well-known as part of the city’s history.”
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Revelations continue: a composer best known for his sonatas and concertos (the Four Seasons) is a master of vocal music as well.
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Sometimes works that major artists withheld — like songs that are not deemed worthy of release —are best kept in the vaults.
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Paul Fisher’s back-and-forth tease about John Singer Sargent’s sexuality starts out as intriguing, then becomes distracting, and finally irritating as the biographer never quite closes in on his targets.
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The Boston Artists Ensemble found the tenderness and understated grace of Robert Schumann’s Piano Trio No. 2.
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A.R.T Artistic Director Diane Paulus and Jeffrey L. Page are at the helm of this well-meaning but irritating revival.
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