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The guitarist led his razor-sharp band through two sets steeped in bluegrass that, at any given moment, could erupt into psychedelic jams, old-school country, metallic thrashing, or jazzy forays.
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Randall Goosby’s sophomore album proves that the violinist is the real deal.
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This week’s poem — Christina Davis’s “FRUITLANDS: or, to Mother a Truth”
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In this splendid album, pianist Kristin Ditlow shares her love of the piano in melody-drenched works from many lands and peoples.
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It is the volume’s autobiographical component, the accounts of Pasolini’s wide wanderings in art and aesthetic revelations, with their dramatic, cinematic flashbacks, that give this collection much of its literary value.
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What makes “Ode to Hip-Hop” such a worthy addition to the Rap Book Library is that it makes room for the contributions and trailblazing importance of artists who have been overlooked. Specifically, artists who aren’t straight men.
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Director Greta Gerwig’s hard-edged but affectionate paean to Barbie is sweeter than it is satirical, slightly more perky than political.
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Lead singer, songwriter, and rhythm guitarist Liz Stokes talked about the making of The Beths’s most recent album, why the band isn’t called The Lizzes, and if fans can expect to ever hear her play trumpet.
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>Like many fads from the ’90s and early aughts, beanie babies are now getting the Hollywood treatment.
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The music this band produced was famously challenging: it was also often surprisingly beautiful.
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