Posts
Three gruesome films by debut directors put the horror back in vacui.
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Karina Rykman’s rookie recored, “Joyride,” delivers a beguiling blend of pop smarts and psychedelic proclivities.
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The nearly 60 women science writers mentioned in “Writing for Their Lives” – and listed in an appendix – are testament to women’s pioneering contribution to science journalism.
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“Bad Things” tries out a lot of ideas, many of them good, but a crisis in identity results in slapdash execution.
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In this script, dramatist Martyna Majok has created an opportunity for those who live in (or near) cities to see and hear the struggles of the underclass.
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The two vintage works on the program at Jacob’s Pillow demonstrated, in a palpable manner, to what extent Martha Graham’s work changed everything.
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Languid sameness dominated the Wang concert at times, though the acoustic strings and subtly submerged horns and percussion made the sonic scope of Sigur Rós’ music more delicate and human.
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Billed as a queer woman’s spin on “The Shining,” “Bad Things” is a much more entertaining film in concept than it is in execution.
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The fact is that “Love in Taipei”’s appeal principally lies in Taipei itself: the film doubles as an extended advertisement for the city.
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In this valuable book, Vincent Schiraldi firmly establishes that the people currently on parole or probation – as well as the community at large – would be better off and safer if both systems were to disappear.
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Holiday Commentary: Making Room for the Stranger