Posts
The first of three review round-ups from this year’s London Film Festival’s excellent slate of films.
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“Archive” sprung from Sofia Coppola’s desire to record what her mind’s organized chaos says about her and her films.
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The fury H&H’s new artistic director Jonathan Cohen delivered in this performance made “Israel in Egypt” and its timeless story ring with renewed vigor.
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This is a Strindbergian dance to the death between a powerful, accomplished woman and a husband tormented by his own sense of failure.
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These essays and poems present incarcerated men and women as nothing more or less than our fellow humans.
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Our expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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Werner Herzog likes the odds in “Every Man for Himself and God Against All.”
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Ten years on, Andris Nelsons’s retains his remarkable gifts for expressing the raw power of music with dazzling panache.
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The Israeli-born composer, a professor at Gettysburg College, composes music that intrigues the mind and glistens with fresh sounds.
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Assassinations may be so-last-generation, but gun violence, and what it reflects about American culture and human depravity, defines our own era as much as any.
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Book Review: “Unfinished” Argues for AI as an Artistic Partner — But at What Cost?