Posts
Tenor saxophonist Ivo Perelman’s work is customarily full of subtle surprises, akimbo with shifts and side-trips. This new recording, with a sextet, is no exception.
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The pianist provided a 150-minute long procession of anecdotes, thoughts, and absolutely first-class playing for his adoring, thoroughly attentive audience, who happily bought tickets to hear whatever Sir András Schiff chose to play.
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Franca Mancinelli’s poetry refreshingly interweaves personal, historical, cultural, and ecological themes
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A world-premiere recording of Kurt Weill’s “Prophets” — originally intended as the last act of “The Eternal Road” — with excellent singers, plus Thomas Hampson in Weill’s Walt Whitman Songs.
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The Emerson String Quartet concludes its recorded legacy pretty much the way it began it — in musical glory. Robert Trevino and the Orchestra Sinfonica Nazionale della RAI’s Respighi has plenty of spirit and heart.
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The series’s fierce satiric take down of America’s enlightened white elite is brilliant.
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“Bluebeard’s Castle” is a sexy but subversive romance novel steeped in Gothic imagery.
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As these two films at the Wicked Queer Doc Fest indicate, being non-hetero-normative in a patriarchal society is unavoidably a political statement.
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An interview with veteran rock critic Jim Sullivan, who just dropped “Backstage & Beyond: Volume 2: 45 Years of Modern Rock Chats & Rants” in October.
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Music Commentary: “Now and Then” — Nostalgia By and For the Beatles
In many ways, “Now and Then” is the fitting gift — a single closing bookend, which Paul McCartney has called the Beatles’ last record.
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