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The final installment in the Boston Symphony Orchestra’ s Shostakovich symphonies series is not nearly as overwhelming as its kick-off disc.
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A Stephen Sondheim flop returns in triumph, while his final show tantalizes with what could have been.
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How well “The Wizard of the Kremlin” will be received here is an interesting question, especially when the novel is evaluated in the light of Mstyslav Chernov’s visceral documentary “20 Days in Mariupol.”
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This splendid album offers ample proof that Henry Desmarest stands shoulder to shoulder with his major 17th century French contemporaries, Lully and Marin Marais.
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Our expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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Count on Lukas Nelson + POTR to approach whatever they perform with conviction
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The scenario may seem a bit too meta, but in director Todd Haynes’ deft hands, the tonal complexities of ” May December” are quite dizzying to behold.
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Daniil Trifonov’s long-awaited return to Symphony Hall showed that he continues to embody the fullness of the great Russian pianistic legacy.
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This well-directed and performed production of a musical about the universal longing for connection delivers a stirringly heart felt experience.
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Nicolas Cage plays a man who craves renown but can only captivate an audience of sleepyheads.
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Book Review: “Unfinished” Argues for AI as an Artistic Partner — But at What Cost?