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Director Richard Linklater gets lyrical in “Blue Moon.”
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First-rate performances, including by a Norwegian orchestra and conductor plus superb international singers, make this one a winner.
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A trio of superb films that feature fierce women.
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“Stitching Freedom” sheds necessary and welcome light on the sick and damaging history and current state of incarceration in this country.
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There’s a profound catharsis in watching “Bugonia,” one that echoes the catharsis articulated by those who attended the ‘No Kings’ protests on the 18th.
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The musicians assembled here for the updated recordings of tunes from fifty years ago are first-rate, and Peggy Lee still convincingly inhabits a wide range of material.
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A generous serving of what theater critic John Lahr calls playwright John Guare’s “funhouse-mirror reflection of American life’s caprice and chaos in the twentieth and twenty-first centuries.”
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Scribble, smudge, repeat: the passage of time and the emergence and dissipation of information conveys the difficult work of experiencing coherence and retaining memory.
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“The Mastermind” points to the impossibility of trying to live as though the outside world and its politics don’t exist.
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