Posts
Reviews of eight stage productions in London, with two terrific shows noted: American dramatist Bruce Norris’s powerful study of racial relations, Clybourne Park, and Alan Ayckbourn’s 1980 farce Season’s Greetings. Another winner on the West End, the critically acclaimed War Horse, comes to New York next week. By Joann Green Breuer Penelope by Enda Walsh…
[Update: Tomas Fujiwara’s Ryles gig is on Friday, March 11, not Sunday, March 13.] Mardi Gras and Carnaval promise warmer days ahead, two keyboard giants team up, Colombian jazz fusion comes to town, and the Boston Jewish Music Festival gathers a fascinating variety of performers.
The Adjustment Bureau is a surprisingly good, romantic movie considering that angels are determining the fate of star-crossed lovers and the plot is driven by such lines as “if you stay together, you will not only ruin your dreams, you will also ruin hers.” The Adjustment Bureau. Directed by George Nolfi. The cast includes Matt…
Running through March 14, the Jewish Film Festival is a thinking person’s cinema experience with provocative introductions and post-film Q and As.
Moondogs comes of as an entirely fun jaunt through a foreign land that nevertheless hoped to do a bit more. Still, the promise of Alexander Yates’s first novel more than justifies picking up his second, even if it lacks villains, superheroes, and evil green roosters. Moondogs by Alexander Yates. Doubleday, 352 pages, $25.95. By Tommy…
Highlights this month in museums around New England include an exhibition of poetic and playful furniture, photographs and videos that radically rethink how a museum should treat art objects, and a show featuring an African artist who specializes in large, shimmering sculptures composed of recycled liquor bottle tops. By Peter Walsh. The van Otterloo Collection,…
Though it ends on an image of uneasy forgiveness, Ajax revolves around a worm hole of irrationality – Athena takes extreme actions and makes uncompromising demands but still insists on the “balance” of the gods
No new edition of Bishop’s poetry, which she created with such loving-care and sent to publishers with such restraint, not to say stinginess, could advance her current reputation. She is America’s flagship, 20th-century poet, leaving the straight men (Eliot, Frost, Stevens, and Lowell) in her wake. (Expect a Bishop backlash by 2020.) Yet many poetry…
No one is safe in the world of Edward Gorey: “From Number Nine, Penwiper Mews, There is really abominable news:/ They’ve discovered a head/ In the box for the bread, / But nobody seems to know whose.” Elegant Enigmas: The Art of Edward Gorey (1925–2000) will be at the Boston Athenaeum (10 1/2 Beacon St.…
Recent Comments