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A relative lack of shows leaves for a somewhat empty, final summer month. However, there should be a lot more going on once the college students return to Boston in September.
Read MoreAn opportunity, via two workshops, to work with ArtsFuse Poetry Critic Daniel Bosch on making poems.
Read MoreIn the perceptive hands of director Joann Green Breuer, the combination of scripts (stretching from the 1940’s to the 1970’s) proffers a compelling meditation on Tennessee Williams’ exploration of women and desire, as well as some surprising spins on his classic plays.
Read More“The main idea I’ve been working with is what I call the longevity revolution.” — Theodore Roszak
Read MoreDramatist Jason Grote spins a postmodern, political variation on Scheherazade in his play 1001, and while it skimps on the imaginative playfulness of other versions, its time-tripping allusiveness has a scruffy intellectual charm.
Read MoreEvery musician brings his idiosyncratic personality to his (or her) playing, and yet, even after four big pieces, I was not sure what Russell Sherman’s non-piano or piano personality was.
Read MoreOn CD, the award-winning Emerson String Quartet are terrific, but live, they are even better.
Read MoreFor those who imagine Tanglewood only as concerts in the huge shed which seats 6,000, these Sunday morning concerts offer a more intimate experience as well as a chance to hear modern pieces they never would hear in what we all call the “regular concert fare,”
Read MoreThe late Karen Aqua was the rarest of birds — a working artist who seldom needed to compromise her ideals in order to succeed. Befitting the legacy of this vibrant visual artist, husband Ken Field and a small team of volunteers organized a public memorial/celebration of Karen’s life for family, friends, and colleagues Sunday, July 10th at Somerville, MA’s Center for Arts at the Armory.
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Book Review: Violence, a la the Freudian and Biblical canon
Short Fuse thinks Russell Jacoby’s “Bloodlust: On the Roots of Violence from Cain and Abel to the Present” is an unconvincing mix of refurbished Freudianism and Genesis.
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