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Bottom line: “Live at the Montreux Jazz Festival 2023” captures the manic, mercurial energy that transformed the man born James Osterberg into the legend that is Iggy Pop.
“There are no weak spots; I feel happy and confident with how every song came out.”
The keyboard wizard’s latest album both continues a trend of expansive projects that take the long view and celebrates the decade-plus the virtuoso has resided in the United States. It is a blast.
“PoemJazz” is a project where music and poetry reinforce each other, where the declaimed poetry works like the sung line of a song — though Robert Pinsky never sings or pretends to.
More than the threat posed by the ghost, “Presence” is desperately terrified of ambiguity.
International flamenco artist Omayra Amaya’s upcoming Boston shows represent a moment of both reunion and reflection.
The publication of “There Is a Deep Brooding in Arkansas” is especially welcome and necessary at this time.
One of translation’s greatest powers — its ability to take a text out of one historical period, literary tradition, language, and set of conventions and transplant it into another — is a delicate procedure.
Arts Remembrance: The Voice of Love — On David Lynch’s Empathy
For all the accusations David Lynch faced over the supposed emotional and ironic detachment of work, his films are wellsprings of love for their subjects.
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