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A.R.T artistic director Diane Paulus, entrepreneur extraordinaire, seems to have plucked impulse for character and meandering plot from a watered (down) idea of The Tempest.
Read MoreBeau Jest Moving Theatre has returned to the early, one-act version of Williams’ script, and created a sometimes pleasant, sometimes nightmarish dreamscape.
Read MoreMark Morris, no longer dancing, joined his company for the curtain call. He’s beloved here, a part of the contemporary dance scene in Boston over the decades as a performer, a choreographer for the Boston Ballet, a teacher, and an inspiration to a number of local performers.
Read MoreThis family’s twelve-year-old daughter found Little Shop of Horrors to be funny, silly, and wholly enjoyable, further cementing her desire to be onstage as much and as often as possible in the future.
Read MoreSimon Garfield’s tour of fonts, Just My Type, is a rollicking, sometimes snarky social history of the design decisions behind lettering from Gutenberg to the iPad.
Read MoreMr. Hammer played Bach’s Sonata in G minor energetically and sensitively, drawing out composer’s long melodic phrases with appealing grace. Ms. Graveline made a strong accompanist, clearly articulating Bach’s contrapuntal textures.
Read MoreChameleon Arts Ensemble’s programming, the brainchild of its director and flutist Deborah Boldin, aims to place pieces together that have interesting things in common musically and culturally.
Read MoreSound of My Voice has a lot twists and turns, much charm, and credible suspense. Have I yielded to the cult of Brit Marling? I was always a sucker for pretty face, and a good yarn.
Read MoreTo his credit, Boston Ballet’s artistic director Mikko Nissinen is looking far and wide for ways to expand the company’s repertory.
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Arts Feature: Best Movies (With Some Disappointments) of 2025