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A festive month of music, with The Emerson Quartet, A Far Cry, Tallis Scholars, and the Borromeo Quartet among the standout performers.
If the BSO wanted to make a statement about where it might be headed based on the strong artistic results of the current season, it certainly could have. That it didn’t is a missed opportunity and hopefully not a sign of things to come.
The tremendous success and rave reviews elicited by this “Orfeo” are due in large part to Boston Early Music Festival’s superb orchestra and cast of eight singers.
Acclaimed Irish writer Colm Tόibín has penned a strangely compelling tale, full of terror, heartbreak, and finally a tone of resignation and even depression.
With his biopic “Orchestra of Exiles,” director Josh Aronson has done an at times awkward, but important, cut and paste job of history and biography.
Sophisticates may recoil at the deliberate symbolism and guileless self-assurance of “Life of Pi.” But this is a fable of storytelling, faith, spirituality, and coming of age whose sympathies are clear and strong, couched in visuals of such extraordinary artistry that the experience of watching it is intoxicating.
Though Peter Townshend is clearly the better known and more popular of the two, it was Mike Scott who produced the better book and more satisfying promotional event in Boston.
Where does such musical maturity and – let’s face it – genius come from? Pianist George Li’s phrasing, the beauty of his sound, his perfect pedaling and expressive rhythm – all were in play.
The Druid, one of Ireland’s most celebrated stage companies, undertook the project to celebrate Tom Murphy’s work and to make the case for him as one of the world’s leading living playwrights.
Coro Allegro successfully delivered the joy, grief, and nostalgia inherent in each of these complex vocal works.
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