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The overall prognosis for the Boston Symphony Orchestra is good. While there remains room for growth and improvement both artistically and financially, the Orchestra has the advantage of a solid musical reputation and a strong core of patrons who support its mission.
Read MoreHere you have it: Werewolves are horny, vamps merely thirsty. This, to be sure, is material to work with, as novelist Glen Duncan does. But I can’t help thinking about great nineteenth-century novels of involuntary transformation.
Read MoreJazz is dying on WGBH — long live the arts, and let us all eat cake financed by Citizens Bank at the upcoming Arts Weekend, created by WGBH and The Boston Globe
Read MoreThis is the first of a series of occasional essays where Fuse Dance Critic Debra Cash will reflect on dances made for camera and new technologies. As they used to say, don’t touch that dial!
The Boston Symphony Orchestra’s (BSO) residency at Tanglewood begins with an all-Beethoven concert on July 6th and runs through August 26th (when it concludes with a John Harbison premiere and more Beethoven –- the Ninth).
Read MoreBook product, much like food product, is manufactured –- from its very inception, designed to make money by shameless pandering to mainstream taste.
Read MoreWouldn’t you know it, just when you thought July would be all Red Sox games, bike rides, hikes, and weekend get-a-ways, there’s a whole lot of great films to keep you occupied. This month includes classics, new documentaries, a giant screen, and two festivals –- the Maine Film Festival and Boston’s venerable French Film Festival.
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Dance Commentary: In Short Order
None of the Boston Dances Made to Order submissions dodged dance-on-camera cliches. There was a lot random dancing outdoors, body parts — especially hands and feet — shot in close-up, and random objects (mirrors, food) revealed by camera pans.
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