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“Darkenbloom” is a hefty novel, in which a blood-stained, depraved swath of history is laid bare by in-depth examination of a narrow geographical sample (think “One Hundred Years of Solitude”, or, for that matter, “Gone With the Wind”).
Our expert critics supply a guide to film, visual art, theater, author readings, and music. More offerings will be added as they come in.
“Plastic” would have been much more effective if it had taken the form of an anime or a cartoon.
Fascism is faced down in Walter Salles’s Oscar-nominated masterpiece.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
The resolute British singer/actress survived addiction, homelessness, cancer and Covid, which left her in a coma before she completed work on her final album in 2021.
The healing powers of poetry is a sieve through which Ange Mlinko pours bitterness and disunity, cosmic and personal.
Jerry Cantrell of Alice in Chains and I talked about the making of his latest recording, his most recent two solo albums versus his previous two, and his thoughts about his Boston fans.
This show is proof of the Harvard Art Museums’ commitment to display relevant work by living artists who are grappling with critical issues posed by our contemporary world.
This week’s poem: Alan Smith Soto’s “As on a familiar journey”
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