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The serious intentions of “The Company You Keep” are ultimately undermined by the parade of stock cameos.
In her recent program at the Boston University Dance Theatre, Corbett riffed on the eerie, 1967 Diane Arbus photograph of identical twin girls in Roselle, New Jersey.
The emotional peak of the entire night was Bob Dylan’s gently understated performance of “What Good Am I?” from 1989’s Oh Mercy.
No! No Annette. How unfair, the death of the fabulous Annette Funicello!
What Roger Ebert was was a very hard-working, daily journalist who, as he should, watched thousands of movies and wrote about them in a very clear, concise, fairly interesting but obvious way.
“By the Way, Meet Vera Stark” suggests the dismissive attitude the public has toward African American actors, but the script doesn’t go far enough to make its title character three-dimensional.
Poet Mikhail Kuzmin, born in the 1870s into a family of Russian Old Believers, was a passionate exponent of gay literature in the early twentieth century.
You have to appreciate a guy who expressed his concern for both the drought on the Texas plains and the local arts community’s drought in terms of cancelled jazz programming on WGBH and the closing of the BOSTON PHOENIX.
Yves Bonnefoy’s book is, fundamentally, a spiritual autobiography; yet it draws extensively on the outside world and ponders how it can be described in writing or depicted in painting.
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