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As “Lincoln”‘s end credits roll, you feel vaguely dissatisfied and disappointed that the film never achieves the emotional greatness that it might have in the hands of a different director.
Read MoreEach film demonstrates a distinct female sensibility as well as a strong and unique stylistic vision.
Read MoreSaariaho’s music is often lush and vibrant, to be sure, but it also can lose track of its musical purpose and meander excessively from time to time. Not so in “Circle Map.”
Read MoreAs a performer, Lorraine Chapman has few peers in the area. Her body has been forged exquisitely in the ballet studio, and further honed by her early professional career as a ballet dancer.
Read MoreConsidered by some to be a guardian of ancient music, Jordi Savall has inspired adulation for a variety of reasons, but in the end it’s because he plays the viol or viola da gamba better than just about anyone else alive.
Read MoreThe 35th anniversary concert proved that Coltrane’s music and memory continue to strongly hold sway in the hearts and souls of musicians and audiences alike.
Read MoreOver the next 90 minutes, Faye Driscoll and Aaron Mattocks stepped, bounced, shrieked and scrabbled through a series of 20 to 30-count episodes, much of it having to do with orality.
Read MoreLocal news outlets have already begun to frame Aerosmith’s impromptu concert as a homecoming of sorts for the “Bad Boys of Boston.” But is this epithet deserved?
Read More“Guys and Dolls” is like a baseball team with a five-run lead in the ninth. It’s yours to lose. If you put together a talented, versatile cast with this material, you almost certainly will produce a winner.
Read MoreIngeborg Bachmann wanted freedom for them both. She says in her letter, “I am free and I am lost in this freedom.” Dominique Frot is a brave actress. She presents the poet’s freedom in her body and voice.
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