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Peter Hook’s memoir contains no earthshattering revelations, but it does offer a new way (or at least another way) of thinking about the four young men who made up Joy Division.
Read MoreHeartbeat is an international non-profit organization that is aimed at uniting Israeli and Palestinian musicians, educators and students in order to transform conflict through the power of music.
Read MorePoems of concise and precise description and philosophy find their way among poems of memory and daily life, money, art, love, and the oddities in giving names. J. Kates’s technique is alive and various throughout.
Read MoreThe luminous physical beauty of the production staged by the American Repertory Theater, coupled with carefully crafted performances by its performers, makes this a Glass Menagerie to be cherished.
Read MoreComposer James MacMillan’s musical strategy in this opera is a stylistic patchwork that seems to mean to convey that each character inhabits a different, mutually misunderstood world.
Read MoreRobert Ingersoll is all but unknown in our time. Susan Jacoby sets out to answer why. One answer she proposes is that it was generally assumed that the reactionary expressions of religion Ingersoll contended against would simply fade away over time, to be replaced by education, broader culture and scientific reason.
Read More“As a white atheist male I am told it is none of my business to deal with what‘s going on in the so-called de-colonized societies enforcing their religious laws on their citizens.” — Joshua Sobol
Read MoreWhile The Vaccines Come of Age is a very good album, I can’t listen to it without thinking that maybe the band grew up a little too fast.
Read MoreIn an effort to give the proceedings an intimate, salon feel, the Symphony Hall stage was dotted with a couple of potted plants, three armchairs, and a pair of music stands; the cavernous environ of the space was still very much present, but one appreciated the effort to minimize it, even if only partially successful.
Read MoreI can’t understand why people are frightened of new ideas. I’m frightened of the old ones. — John Cage to Richard Kostelanetz, 1988
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