Month: August 2012

Music Review: Shylock Sings the Blues

August 16, 2012
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This daring musical version of “The Merchant of Venice” provides a fascinating re-imagining of a classic play that explores many of the themes and tropes of the original more deeply than many modern productions do.

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Fuse Rock Feature: Burnin’ One Down With Matt Bunsen

August 16, 2012
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Matt Bunsen and the Burners proves that comedic music can not only be funny, but also well-crafted and artful commentary.

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Book Review: Classic Supernatural Satire — “The Wild Ass’s Skin”

August 15, 2012
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Helen Constantine’s new translation of Balzac’s “The Wild Ass’s Skin” serves this wonderful and weird book well. It is one of the great, black comic fables in world literature, a dazzlingly demented exploration of a society’s lack of imagination.

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Book Review: Celebrating the Forceful Art of “Three Strong Women”

August 14, 2012
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In the heartrending “Three Strong Women,” award-winning novelist Marie NDiaye infuses her Senegalese women characters with a personal sense of dignity and a strong belief in self.

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Fuse Opera Review/Commentary: A Magisterial “Lost in the Stars” at Glimmerglass

August 13, 2012
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When the performance ended and I sat there, silent, reveling with the rest of the audience in the goose bumps that inevitably occur after such an experience, I knew, in my bones, that no movie, however good, could be as good as this.

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Fuse Theater Review: A Mildly Amusing “Third Story”

August 13, 2012
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There are plenty of amusing moments when dramatist Charles Busch makes effective use of his gift for exaggerated wit and whimsy — no dramatist can drop the word ‘canasta’ with as much hilarious finesse.

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Visual Arts Essay: What is a Moment? — Two paintings of the wounded Eurydice by Jean-Baptiste Camille Corot

August 12, 2012
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Of course, I have no idea what was in Corot’s mind. But the juxtaposition of these images appears to me to present two different moments in time, perhaps adjacent ones, perhaps as close as possible, like adjacent frames of a film.

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Short Fuse Film Review: Dissident Artist Ai Weiwei — The Anti-Mao

August 11, 2012
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Dissident artist Ai Weiwei speaks for an alternate China, another possibility for it. In a sense, he is the anti-Mao. Alison Klayman’s “Ai Weiwei: Never Sorry” is an essential introduction to his work to date.

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Coming Attractions in Jazz: Late Summer Festivals 2012

August 10, 2012
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The tents and stages have come down in Newport, and now the action shifts west to Connecticut, home of the superb Litchfield Jazz Festival. Later in the month, it’s party time in Salem, MA with Jaimoe’s Jasssz Band and the Dirty Dozen Brass Band.

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Theater Commentary/Review: A Not So Dumb “Month in The Country”

August 10, 2012
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Given the Russian writer’s modernist pedigree, should director/playwright Richard Nelson and translators Richard Pevear and Larissa Volokhonsky be punished for putting some “unevenesses” into their staging of Turgenev’s finest play, “A Month in the Country”? I think not.

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