Month: March 2011

Movie Review: The Adjustment Bureau — A Posse of Dangerous Angels

March 8, 2011
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The Adjustment Bureau is a surprisingly good, romantic movie considering that angels are determining the fate of star-crossed lovers and the plot is driven by such lines as “if you stay together, you will not only ruin your dreams, you will also ruin hers.” The Adjustment Bureau. Directed by George Nolfi. The cast includes Matt…

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Culture Vulture: Reflections on the Jewish Film Festival

March 7, 2011
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Running through March 14, the Jewish Film Festival is a thinking person’s cinema experience with provocative introductions and post-film Q and As.

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Book Review: Of “Moondogs” and Evil Green Roosters

March 5, 2011
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Moondogs comes of as an entirely fun jaunt through a foreign land that nevertheless hoped to do a bit more. Still, the promise of Alexander Yates’s first novel more than justifies picking up his second, even if it lacks villains, superheroes, and evil green roosters. Moondogs by Alexander Yates. Doubleday, 352 pages, $25.95. By Tommy…

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Coming Attractions at Museums: March 2011

March 4, 2011
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Highlights this month in museums around New England include an exhibition of poetic and playful furniture, photographs and videos that radically rethink how a museum should treat art objects, and a show featuring an African artist who specializes in large, shimmering sculptures composed of recycled liquor bottle tops. By Peter Walsh. The van Otterloo Collection,…

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Theater Review: A Flawed But Compelling “Ajax” at the American Repertory Theater

March 3, 2011
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Though it ends on an image of uneasy forgiveness, Ajax revolves around a worm hole of irrationality – Athena takes extreme actions and makes uncompromising demands but still insists on the “balance” of the gods

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Book Review: Poetry, Prose, and Politics — Elizabeth Bishop at 100

March 3, 2011
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No new edition of Bishop’s poetry, which she created with such loving-care and sent to publishers with such restraint, not to say stinginess, could advance her current reputation. She is America’s flagship, 20th-century poet, leaving the straight men (Eliot, Frost, Stevens, and Lowell) in her wake. (Expect a Bishop backlash by 2020.) Yet many poetry…

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Visual Arts Review: Edward Gorey @ the Boston Athenaeum

March 3, 2011
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No one is safe in the world of Edward Gorey: “From Number Nine, Penwiper Mews, There is really abominable news:/ They’ve discovered a head/ In the box for the bread, / But nobody seems to know whose.” Elegant Enigmas: The Art of Edward Gorey (1925–2000) will be at the Boston Athenaeum (10 1/2 Beacon St.…

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Culture Vulture in New York: Three Museums, Three Ways to Reject the Past

March 3, 2011
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The snow is gone, daffodils are coming up in Central Park, and there are terrific shows in all of the major New York museums. The three I saw—at the Guggenheim, the Neue Galerie, and the Whitney —all draw on the early part of the twentieth century when artists in Europe and the United States were…

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Coming Attractions in Popular Music: March 2011

March 2, 2011
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It could be easy to say the outlook is grim, what with all that’s going on in the world. However, even though the Ides of March are quickly approaching, that would be overlooking all the good things happening this month. For example, it was in March, almost 100 years ago, that the first American successfully…

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Classical Music Review: A Killer “Cardillac”

March 1, 2011
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Many musicians know Paul Hindemith (1895–1963) as a somewhat dry composer who wrote a few operas as well as sonatas for every instrument and some half dozen for viola (he played both violin and viola extremely well). But real Hindemith has a cutting lyrical gift, much of  it is on display in his kinky opera…

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