Visual Arts
“Figures of Speech” is a kind of aesthetic/political injection: its messages are put across by pieces that seamlessly blend a number of genres, including sculpture, music, graphics, and film.
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Overall, “Remember the Ladies” is a love letter to an era and to a cheerful vision of painting.
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Last week, just a month after the publication of Loot in the US, the Met in New York announced that it was returning two Benin Bronzes to Nigeria.
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In New York, museums and galleries are racing toward a new normal, whatever that might be. Most exhibitions that opened earlier in the year will stay open into the summer.
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This is an important book, a powerful account of the decline of California as America’s paradise.
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There’s a looseness, a jagged brio that gives the images in ¡Printing the Revolution! a visual bang — a kind of primal pop.
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Museums, now reopened in New York, are trying to coax visitors into their galleries. With two exhibitions, it’s working.
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All four budgets that Donald Trump and his sycophants sent to Congress had nada for the arts and humanities.
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Today’s increasingly heated argument about architectural preservation revolves around discerning which pieces of the past are worth saving, which buildings are valuable to our present and future.
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Visual Arts Commentary: “The Scream,” “Sunflowers,” and the “Mona Lisa” — Gone Baby Gone
Perhaps we need to call on Sherlock Holmes in order to resolve the 31-year old “no end in sight” Gardner heist?
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