Theater
“It is just when we delve deeper into the sorrows of our lives, the sorrows we have all endured, that our humor saves us.”
The problem is that John August’s book for the musical lacks most of what made his screenplay for the 2003 film so emotionally resonant for so many.
From The Deep suggests that Boston’s theater community would be better served if it put more of its resources into presenting the work of local literary talent.
Culture Clash’s view of America will discomfort, which is all the more reason that I urge you — strongly — to attend.
George C. Wolfe’s 1986 collection of vignettes that spoof and celebrate black stereotypes occasionally plays like reruns from the ’90s TV show In Living Color.
In 1939, Clifford Odets wrote that ‘we are living at a time when new art works should shoot bullets.” Fat chance of any shots coming from our voluntarily disarmed theaters.
This exhilarating Tristan & Yseult shakes us out of our role as passive observers and reminds us of the euphoria and the heartbreak love can bring.
Celeste Oliva’s performance is so raw, we experience every doubt, every fear, and watch her confidence slowly evaporate under pressure.
The Lyric Stage is presenting a moving production of Lynn Nottage’s cautionary tale about strength of character tragically misdirected.
In dramatist Nicolas Billon’s enigmatic but involving Greenland, the audience is called on to actively reconstruct what occurred in the characters’ lives.
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