Theater

Theater Review: “The Second Girl” — A Sensitive Portrait of the Irish Working Class

February 7, 2015
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The actors in the central roles are extremely fine, particularly Kathleen McElfresh’s beautifully nuanced performance as the anguished Bridget O’Sullivan.

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Theater Review: “Father Comes Home From the Wars (Parts 1, 2 & 3)” — A Memorable Homecoming

February 4, 2015
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May Father Comes Home From the Wars (Parts 1, 2 & 3) fill the Loeb Drama Center to the brim and then some.

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Theater Review: “Breath & Imagination” — Inspirational, Then and Now

February 1, 2015
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Breath & Imagination is a realistic, moving, and very revealing take on what it means to be a black artist in America, both then and now.

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Stage Review: An Israeli Playwright Expertly Analyzes “A Case Named Freud”

January 31, 2015
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Israeli dramatist Savyon Liebrecht’s new play A Case Named Freud is her most ambitious and dramatically satisfying yet.

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Theater Review: Bedlam’s “Saint Joan” — Ferociously Relevant

January 20, 2015
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The virtuoso approach of Bedlam’s Saint Joan, its unpretentious immediacy, makes this production an exuberant Shavian history lesson that should not to be missed.

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Theater Review: New Rep’s “Muckrakers” — Not Messy Enough

January 17, 2015
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Zayd Dohrn’s slightly predictable Muckrakers offers some satisfying twists and turns as it moves toward the inevitable.

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Theater Review: “Measure for Measure” – A Problem Play for Shakespeare’s Time — and Ours

January 16, 2015
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Shakespeare may have written Measure for Measure as a dystopian satire of what it would be like if the Puritans were ever to take over England.

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Stage Review: A Not-So-Perfect “Future Perfect” at SpeakEasy Stage

January 15, 2015
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Playwright Ken Urban doesn’t seem to have a strong point of view about his thirtysomethings-in-a-muddle; neither does he allow them to change or grow.

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Theater Review: “Vanya and Sonia and Masha and Spike” — Middle-aged Angst and Broad Humor

January 10, 2015
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While worth a look for its inspired performances, this Huntington Theatre Company production does not give us Christopher Durang at his madcap best.

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Fuse Theater Interview: Playwright Ken Urban on Crafting “A Future Perfect”

January 9, 2015
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“The pain depicted on stage must cut to the bone, inspire a seemingly impossible empathy within me, within the audience.”

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