Theater
This is a rich evening of theater because it takes up social and psychological problems that aren’t ordinarily addressed on our stages.
Director Paul Daigneault and SpeakEasy Stage have a hit on their hands
RoosevElvis turns out to a sort of slaphappy homage to two American legends, a genial romp that sticks to stereotypes.
A Great Wilderness dramatizes the plight of a believer who is forced to face a powerful truth about himself — that he has probably wasted his life.
When it comes to dramatic debate, balanced parry and thrust are paramount.
Legally Blind contains sufficient satiric sting because it takes aim at the current fashion for musicals in which handicapped souls are healed.
Daughter of a Cuban Revolutionary is at its most theatrically gripping when Marissa Chibas is caught up in her memories.
Long stretches of the evening ask the audience to listen to annoying children’s voices in the dark.
Maureen Keiller and Will Lyman have performed numerous staged readings of Oh God and their intimate knowledge of the text shows.
The School for Scandal hasn’t dated a jot: put Snake, Mrs. Candour, and Mrs. Sneerwell on Facebook and watch civilizations totter.
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