Theater
Israel Horovitz’s latest play delivers some fine moments of comedy as well as some dark revelations about female neediness.
To see a production of this quality in a small theater was a privilege.
The ethical deliberations and the professional backbiting and banter of the doctors fare well in the skilled hands of the director and cast.
American Moor is a terrific meditation on Othello and race.
Wonder why Boston theater is so bland, why there is so little political resistance?
Throughout Sam Shepard’s oeuvre one can find ample evidence of his struggles with demons, some of them distinctively American.
Allegra Libonati has assembled a mostly excellent cast for what at first glance should be an evening of quality Bardic entertainment.
This is a masterful production of Sarah Ruhl’s sparkling update of Commedia dell’arte.
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