Theater

Arts Commentary: WBUR’s Clogged “ARTery”

December 30, 2019
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Every organization in the Barr Foundation’s charmed circle — large arts groups and The ARTery — have a financial stake in reinforcing the belief that the Barr’s money is being put to supremely successful use.

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Theater Feature: Best Stage Productions of 2019

December 28, 2019
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Our theater critics pick some of the outstanding productions of the year.

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Theater Review: A Musical “Moby-Dick” Lumbers from its Seabed at the A.R.T.

December 20, 2019
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Dave Malloy’s musical version of Moby-Dick shows promise, but he needs to trim plenty of blubber.

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Theater Review: Queen Mab’s “Dream” — Good and Necessary

December 17, 2019
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Queen Mab’s premiere production is an energetic, 80-minute, one-man performance of Shakespeare’s A Midsummer Night’s Dream.

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Theater Review: The Christmas Revels — American Version

December 17, 2019
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This year’s Revels is more than a parade of Christmas songs and stories that tap deep into America’s European and African past.

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Theater Review: New Rep’s “Oliver!” — Less Boundless Energy, Please

December 8, 2019
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The spirit of Oliver! explodes on stage here, and that is a credit to the ambitions of this company.

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Theater Review: A Three-Hour “Bright Room Called Day” Befuddles at the Public Theater

December 1, 2019
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Tony Kushner attempts a re-write of his first professional play. The results are decidedly mixed.

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Theater Review: Agatha Christie’s Murder on the Orient Express” — Neither Noir nor Romp

November 29, 2019
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Ken Ludwig’s stage version of Murder on the Orient Express is an enjoyable diversion.

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Critical Commentary: A Few Thoughts about John Simon

November 28, 2019
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Few critics proclaimed that the emperor was naked as a jaybird with as much savvy panache.

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Theater Review: “Quixote Nuevo” — The Impossible Trauma

November 27, 2019
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Octavio Solis’ Quixote Nuevo, is a genial, and very American, riff on Don Quixote.

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