Theater
Congratulations to Gloucester Stage’s new artistic director Rebecca Bradshaw for mounting the regional premiere of this interesting script, a kitchen sink comedy/drama that is anything but routine.
The Lehman Trilogy is epic in its proportion and ambitions, so it is ironic that it sacrifices opportunities to probe troubling topics.
Anna Ziegler’s play is based on a true story that still resonates powerfully: how science (and society) hides uncomfortable truths.
Even when it is well-performed, as it is here, it is unclear whether Noël Coward’s well-constructed comic concoction deserves another theatrical lease on life.
In the Actors’ Shakespeare Project’s likable staging of As You Like It, love looks pretty durable.
This American Repertory Theatre co-production gets so many of “Evita”‘s elements right — now all it needs is the musical’s combative soul.
The Gaaga’s humor is driven by rage, anger, and disgust, emotions that are not often found in our domesticated (for easy consumption) theater scene.
Set designer Sara Brown creates theater wizardry through the assistance of digital tools, not a magic wand.
The Prom’s greatest strength is how the musical can be, almost simultaneously, satirical, hilarious, and nuanced.
A talented cast does its best to add buoyancy to a script weighted down in palaver.
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