Theater
By Bill Marx October includes the usual line-up of plays by seal-of-approval dramatists, Edward Albee and Conor McPherson, but there’s some welcome new blood, from Punchdrunk’s athletic adaptation of “Macbeth” to “Little Black Dress,” playwright Ronan Noone’s latest salvo at our national psyche, and “The Overwhelming,” the Boston premiere of a critically acclaimed study of…
Actors From the London Stage (AFTLS) proves that when it comes to the Bard the minimal may be maximal. Reviewed by Caldwell Titcomb Shakespeare’s challenging “King Lear” is the vehicle for this year’s fall tour of the troupe called Actors From the London Stage (AFTLS). This project was begun in 1975, and has been flourishing…
By Caldwell Titcomb There are those who have proclaimed that Christopher Plummer is the greatest classical actor in North America. There is certainly no gainsaying that he has for some time been in the tiny group at the top of the acting profession. Now as he nears the age of 80 he has brought forth…
By Bill Marx What are artists? Desperate searchers after whatever can be found of truth and beauty, even when the two may be poles apart. – Tennessee Williams, “Notebooks” (1979) The Remarkable Rooming House of Madame Le Monde by Tennessee Williams. Directed by Davis Robinson. Beau Jest Moving Theater production (commissioned by the Provincetown Tennessee…
Observe the ass … his character is about perfect, he is the choicest spirit among all the humbler animals. — Mark Twain, “Pudd’nhead Wilson” The Donkey Show Conceived by Randy Weiner. Directed by Diane Paulus and Randy Weiner. Presented by the American Repertory Theater at Zero Arrow Street, Cambridge, MA Presented by American Repertory Theater,…
It should be pointed out that in London it is possible to see more shows in a limited time than one can do in the United States. Why? Because it has long been the sensible practice to stagger weekday matinees. By Caldwell Titcomb Shakespeare first, of course. The British quite rightly never tire of “Hamlet.”…
By Helen Epstein No one reviews talks but I’ve just attended two by some highly gifted women that deserve wider notice. Director Anna Brownsted and actress Dana Harrison discussed their work on R.T. Rogers’ provocative play “White People” at Shakespeare & Company last week and author Brenda Wineapple gave a brilliant mini-seminar in American cultural…
White People by J.T. Rogers. Directed by Anna Brownsted. At Shakespeare and Company, Lenox, Massachusetts, through September 4. By Helen Epstein What can possibly connect a reflective young History professor in New York’s Stuyvesant Town, a disconsolate Southern housewife and ex-homecoming queen, and a demanding Midwestern corporate lawyer? In J.T. Rogers’ powerful drama White People…
In a living society every day is a day of judgment; and its recognition as such is not the end of all things but the beginning of a real civilization. – George Bernard Shaw, “The Simpleton of the Unexpected Isles,” preface, 1936. Heartbreak House by George Bernard Shaw. Directed by Gus Kaikkonen. Presented by The…
THE THOMASHEVSKYS: MUSIC AND MEMORIES OF A LIFE IN THE YIDDISH THEATER. Written and hosted by Michael Tilson Thomas. Directed by Patricia Birch, with members of the Boston Symphony Orchestra at Tanglewood. by Helen Epstein I’m a fan of the serious introspective kind of memoir, that tries to wrest meaning from existential and emotional chaos.…
Classical Music Commentary: What’s Next for the Boston Symphony? — Lessons from the Past