Theater
By Bill Marx After four years in the position, Louise Kennedy is leaving her post as theater critic for the Boston Globe to work on a book project. I wish her well: she’s had to persevere as the position becomes the afterthought of a Tweet. Perhaps she sees the handwriting on the printer’s wall. Her…
By Chantal Mendes This Sunday the enterprising theater troupe Banana Bag & Bodice brings its distinctively modern adaptation of an ancient classic, Beowulf – A Thousand Years of Baggage, to Oberon in Cambridge, MA. For those of us who missed the recent movie version, Beowulf conjures up sleepy times in early English Literature class. Given…
The complete Women of Will is an exhausting adventure, led by a manically enthused and deeply generous and talkative tour director who also is a fabulous actor. Reviewed by Susan Miron Women of Will. Written and performed by Tina Packer. Directed by Eric Tucker. Featuring Tina Packer and Nigel Gore. At Shakespeare & Company, Lenox,…
A whole lot of deconstruction of the classics going on this month, along with productions of scripts by familiar homegrown names, from William Inge and David Mamet to Sarah Ruhl. A visit from a master puppeteer and a show about race that’s “recommended for mature audiences” look intriguing. By Bill Marx The Real Inspector Hound…
Reviewed by Helen Epstein I saw Shakespeare & Company‘s excellent production of Richard III in Lenox, MA last weekend (through September 5 at Founders’ Theatre), with an exceptionally strong ensemble that was kicked into high gear by a high-energy performance from John Douglas Thompson in the title role.
The most satisfying theatrical experience of my Berkshire summer has been the Chester Theatre Company’s production of Arlene Hutton’s three-part Nibroc Trilogy in Chester, Massachusetts. Gulf View Drive by Arlene Hutton. The third play in the Nibroc Trilogy. Directed by Daniel Elihu Kramer. Staged by the Chester Theater Company, Chester, MA, through August 22. Reviewed…
Shakespeare’s late romance, with its catastrophic opening capped by a supernatural-tinged happy ending, is not for those who like their tragedies undiluted. The Winter’s Tale by William Shakespeare. Directed by Kevin G. Coleman. Staged by Shakespeare & Company at the Founders’ Theatre, Lenox, MA, through September 5. Reviewed by Susan Miron The Winter’s Tale is…
Shakespeare’s tragic characters, on the other hand, suffer from the Christian sin of pride: knowing you aren’t God, but trying to become Him—a sin of which any of us is capable. — W. H. Auden on Othello in Lectures on Shakespeare Othello by William Shakespeare. Directed by Steven Maler. Staged by the Commonwealth Shakespeare Company…
By Helen Epstein After the Revolution by Amy Herzog. Directed by Carolyn Cantor. Staged by the Williamstown Theatre Festival, Williamstown, MA, July 21 through August 1 (closed). Long before the invention of psychotherapy, long before writer William Faulkner wrote “The past is never dead. It is not even past,” the Greeks mined family history for…
By Caldwell Titcomb Stephen Sondheim, the greatest genius in the history of musicals, has turned 80 this year, and there have been celebrations of all sorts to mark this milestone. London joined the hoopla by devoting its BBC Prom 19 on July 31 to a full evening drawn from Sondheim’s achievements and presented in the…
Classical Music Commentary: What’s Next for the Boston Symphony? — Lessons from the Past