Theater

Theater Review: HD Hamlet — Determined Relevance

December 11, 2010
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Royal National Theatre Director Nicholas Hytner is determined to make the drama as relevant to our own times as to the Bard’s. The setting is a somewhat flimsy, gray-walled salon. Theatrical apparatuses are visible: a klieg light here, a fresnel there. Hamlet by William Shakespeare. Staged by the Royal National Theatre, London, England. Taped by…

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The Annual Arts Fuse Holiday Gift Roundup — Tips from the Experts

December 11, 2010
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With gift season comes the existential quandary: What to give the culture lovers on your list? This season the writers for The Arts Fuse waylay the crisis by recommending items that will delight the heart and stimulate the mind. Please feel free to add your own suggestions in the comments section. Keep in mind that…

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Theater Review: GAN-e-meed’s SILENCE is Golden

December 4, 2010
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By Peter-Adrian Cohen I won’t even try to tell you what the play was all about—I don’t think I fully understood myself. But I can tell you this much: the play works; it gives the actors a number of situations rich in meaning and emotion to explore. And explore they do. Silence by Moira Buffini.…

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Coming Attractions in Theater: December 2010

December 1, 2010
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I figure you know where the killer Scrooges are, so this month I look for alternatives to the usual holiday fare. The American Repertory Theater and GAN-e-meed Theatre Project are serving up something different, and SpeakEasy Stage Company says it has found “hip” holiday fare. I have heard that one before, but you never know.…

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Culture Vulture in London: An Overcrowded Jewish Nest

November 8, 2010
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Tribes makes us privy to the dynamics of a twenty-first-century, secular, Jewish family in a series of fast-paced scenes that leave few holds barred. The parents—middle-class, middle-aged, hyper-verbal intellectuals—are trying to cope with the fact that their three adult children have returned to inhabit the nest. By Helen Epstein. When I first wrote London friends…

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Theater Commentary: Two Tons Dropped on A Delicate Balance

November 4, 2010
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Years (or would that be decades?) ago, editors had the self-respect to be embarrassed by critical incompetence, perhaps because there was the assumption that knowledgeable people were reading the paper. Those discriminating readers are long gone from the marginalized arts section of The Boston Globe . . . By Bill Marx I haven’t seen the…

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Coming Attractions in Theater: November 2010

October 31, 2010
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Holiday season is kicking in, which means it becomes harder to find theater that doesn’t set out to warm your heart and melt your mind. Though a Santaland Diary or two remains, the vogue for cynical Xmas shows has run its course. Still, all is not lost when you can still find such extraordinary family…

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Theater Commentary: After Aftermath

October 31, 2010
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At the invitation of AF editor Bill Marx and at the risk of further delaying my observations on the New World Jazz Composers Octet, I’m straying from the jazz beat to offer some words on ArtsEmerson’s presentation of Aftermath at the Paramount. The regrettably short run of this New York Theatre Workshop production (October 27–31) will…

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Theater Review: Body Awareness — A Lesson in Human Awareness

October 30, 2010
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This is a play where characters don’t remove their clothes but the walls they’ve built to protect their inner selves.

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Theater Review: Antony and Cleopatra Pitch Woo in Hartford

October 20, 2010
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The Hartford Stage may be far from the shores of the Nile, but this lively production of Antony & Cleopatra and the company’s rejuvenated theater space are fit for the entertainment of a Pharaoh. Anthony & Cleopatra by William Shakespeare. Directed by Tina Landau. At the Hartford Stage, 50 Church Street, Hartford, CT, through November…

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