Theater
Cassandra Speaks is yet another dazzling vehicle for actor Tod Randolph, who excels in etching brilliant stage portraits of famous, complicated women.
Beau Jest’s playful Apt 4D offers a wonderful opportunity to celebrate the creativity and imagination of the truly extraordinary theater troupe.
Critic Eric Bentley valued the theater of audacity above all, and that is just what is on glorious display in Trinity Rep’s marvelously nervy A Lie of the Mind.
Lydia R. Diamond’s Smart People is an amusing takedown of our “post-racial” world, and it is receiving a snappy, well-acted production via the Huntington Theatre Company.
I was mesmerized by the evocative stage pictures and the straight-at-the-audience, presentational mode of the actors, whose facial expressions and gestures so viscerally conveyed the emotional lives of the characters.
We do it for the joy and communitas of making theater together much as we do for responding to the world around us through art.
Women are the dominant force in “Amaluna.” They command the evening’s whirligig of a stage as aerialists, clowns, musicians, dancers, and contortionists.
The trio of writers has flattened Stephen King’s gaggle of high school teens into two-dimensional clichés, devoid of any adolescent intensity.
Does the distrust of (even a little) narrative ambiguity by North American dramaturgs and audiences mean that international plays must be made more ‘cinematic’ when they are produced here?
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