Theater
This exhilarating Tristan & Yseult shakes us out of our role as passive observers and reminds us of the euphoria and the heartbreak love can bring.
Celeste Oliva’s performance is so raw, we experience every doubt, every fear, and watch her confidence slowly evaporate under pressure.
The Lyric Stage is presenting a moving production of Lynn Nottage’s cautionary tale about strength of character tragically misdirected.
In dramatist Nicolas Billon’s enigmatic but involving Greenland, the audience is called on to actively reconstruct what occurred in the characters’ lives.
The King of Second Avenue’s one-joke shtick wears out long before the end of this 90-minute musical.
The actors in the central roles are extremely fine, particularly Kathleen McElfresh’s beautifully nuanced performance as the anguished Bridget O’Sullivan.
May Father Comes Home From the Wars (Parts 1, 2 & 3) fill the Loeb Drama Center to the brim and then some.
Breath & Imagination is a realistic, moving, and very revealing take on what it means to be a black artist in America, both then and now.
Israeli dramatist Savyon Liebrecht’s new play A Case Named Freud is her most ambitious and dramatically satisfying yet.
The virtuoso approach of Bedlam’s Saint Joan, its unpretentious immediacy, makes this production an exuberant Shavian history lesson that should not to be missed.
Music Commentary: Brian Wilson’s Legacy Thrives — 2026 Reissues Reviewed