Television
This limited series is not easy to watch, but “Painkillers” should be considered indispensable viewing because of the light it shines on the amoral face of corporate greed.
All this alarming information about our food is a call to action, but “Poisoned” plays it safe by not offering any pragmatic directives or posing an activist vision.
The Out-Laws is another mild diversion spat out of Adam Sandler’s Happy Madison factory.
“The Horror of Dolores Roach” is a captivating mixture of horror, suspense, and comedy that proves we haven’t come all that far from the class-fueled injustices of Victorian England.
Along with its oversized fantasy, I’m a Virgo comments on Black bodies, capitalism, and socioeconomic barriers.
We have the satisfying conclusion to a series that proved episodic dramas can — in fact, should — grow in depth past their first season.
What made Barry such a hit was that it was deliciously funny; the laughs were a balm for the uneasiness viewers felt as the body count rose from episode to episode.
em>Realistic storylines ground Platonic‘s comedy in recognizable trials and tribulations — and usefully steers it away from the tired can men-and-women-be-buddies debate.
The documentary tries to tell the story of the real Anna Nicole Smith, but it falls short.
A documentary about the female band Fanny asks why the talented LA hard rockers missed out on the big time.
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