Television
All this alarming information about our food is a call to action, but “Poisoned” plays it safe by not offering any pragmatic directives or posing an activist vision.
The Out-Laws is another mild diversion spat out of Adam Sandler’s Happy Madison factory.
“The Horror of Dolores Roach” is a captivating mixture of horror, suspense, and comedy that proves we haven’t come all that far from the class-fueled injustices of Victorian England.
Along with its oversized fantasy, I’m a Virgo comments on Black bodies, capitalism, and socioeconomic barriers.
We have the satisfying conclusion to a series that proved episodic dramas can — in fact, should — grow in depth past their first season.
What made Barry such a hit was that it was deliciously funny; the laughs were a balm for the uneasiness viewers felt as the body count rose from episode to episode.
em>Realistic storylines ground Platonic‘s comedy in recognizable trials and tribulations — and usefully steers it away from the tired can men-and-women-be-buddies debate.
The documentary tries to tell the story of the real Anna Nicole Smith, but it falls short.
A documentary about the female band Fanny asks why the talented LA hard rockers missed out on the big time.
Netflix’s dumb series Sanctuary serves up a cartoon view of sumo wrestling.
Classical Music Commentary: Boston’s Lost Opportunity — How the BSO Board Chose Charles Munch over Leonard Bernstein