Television

TV Review: “3 Mics”—Neal Brennan’s Innovative Stand Up

March 5, 2017
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Neal Brennan’s mix-and-match of styles manages to combine deadpan sensibility with shocking poignancy.

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Dance Preview: “Black Ballerina” — Sparking Conversations about Dance and Race

October 17, 2016
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“Tokenism also plays into this issue. Some companies are hiring one dancer of color and they think they’ve done diversity.”

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Television Review: “The Get Down” — Netflix’s Flashy Hip Hop Melodrama

August 20, 2016
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The Get Down has the tragic resonance it deserves, though Baz Luhrmann pulls back from confronting the narrative’s political implications.

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Television Review: “Horace and Pete” — A Bracing Shot of Nihilism

July 21, 2016
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Louis CK has said that he is more proud of this show than anything else he’s done.

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Fuse Television Review: “O.J.: Made in America” — Postmodern “Othello”

July 18, 2016
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The trajectory of O. J. Simpson’s life eventually touched on almost every aspect American society.

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TV Column “Watch Closely” — Charlie Manson is My Boyfriend

June 17, 2016
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If you really want a full-on immersion into the halcyon decade that that gave us the Beatles and free love, you simply must watch Aquarius.

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TV Review: Samantha Bee’s “Full Frontal” — Deserves All the Buzz

May 23, 2016
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It says something about where we are at as a country when the absurdist’s voice is the only one that is persuasively human.

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TV Commentary: The Golden Globes — Reliably Disappointing

January 13, 2016
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The Golden Globes Equation: Glitz + Glamor + Action = Win.

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TV Review: “Flesh and Bone” — Once Again, Ballet as a Crazed Deathmatch

November 30, 2015
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If the creators of Flesh and Bone want to whip upanother trite soap opera, that’s their prerogative. But hush about the “realism.”

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TV Review: “Master of None”—Aziz Ansari’s Masterful New Show

November 17, 2015
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Master of None is an exercise in emotionally intelligent storytelling that delves into the real lives of its characters.

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