Review
This novel is a fun, light read. But best-selling author Richard Osman needs to take more time to delve into his characters if he wants to equal his previous cozy mysteries.
“English Teacher” is a wearier, snarkier version of “Abbott Elementary”.
Paul Jacobs, the day’s reigning organ virtuoso, has assayed a fascinating assortment of Americana that showcases the King of Instruments against an orchestra.
What Ian O’Donnell underlines so powerfully in “Prison Life” is the necessity of positive human interaction anywhere, including among incarcerated citizens.
The Boston Early Music Festival announces its 2024-25 season, and our critic welcomes world-premiere recordings of operas by Mondonville and Destouches, splendidly sung and glitteringly played.
This album fills out Michael Tilson Thomas’s compositional catalogue, deepening our appreciation of it. More fundamentally, it adds meaningfully to the story of American concert music.
Is it possible for an outstanding actress to achieve similar heights as a playwright? The answer is yes, but with reservations.
If you want to tell people the truth,” quipped Oscar Wilde, “make them laugh, otherwise they’ll kill you.” Louis Bayard’s novel offers a compelling vision of what happened to Oscar and his family when the laughter stopped.
By not giving the material a refreshing 21st-century update, the film version of “Uglies” is an unattractive antique.
Book Reviews: Joan Acocella and Andrea Marcolongo — Writers Who Think Fearlessly
Joan Acocella is more than a critic. She is a thinker, writing at a time when thinkers are not valued much, when exegesis in places other than scholarly journals sometimes seems like a lost art.
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