Review
“The Bibi Files” is a documentary that should be seen before its revelations, caught on tape, are overtaken by a larger war; the Palestinian no-budget drama “To a Land Unknown” presents a credible picture of refugee life.
Two new wordless picture books feature animals as friends, revealing greater truths about community and the environment.
In “Megalopolis,” we have Francis Ford Coppola, Titan of Cinema, unleashing his undiluted meditation on Roman History, US History, Political Rivalry and Cooperation, Urban Planning, Technology, Love, Marriage, etc.
This year’s edition of Metalfest matched the fabled fests of yore – a point not lost on many of the bands that performed, many of them making note on stage that the metal world had somehow been made right again.
Violinist Augustin Hadelich and pianist Orion Weiss prove that there is plenty of music written on these shores to explore, especially when you are not limited by region or style. Soprano Karen Slack and pianist Michelle Cann demonstrate the strength of Florence Price’s songs and arrangements.
It’s the variety of sounds in Eva Cassidy’s repertoire, reinforced by her ability to use them with the utmost tact and control, that impresses this listener.
August Kleinzahler’s “A History of Western Music” will be a special treat for poetry readers who also appreciate music in all its forms and genres.
Despite some hiatuses and a non-lasting change in the guitar slot, X has amazingly soldiered on for four decades since its 1977 formation and 1980-1984 heyday to remain standing with its original lineup.
“Leopoldstadt” is one of Tom Stoppard’s most heartfelt and expansive works, its poignant storyline inspired by events in his own life.
Concert Review and Commentary: Music Worcester’s The Complete Bach & In Memoriam, Richard Dyer
Music Worcester’s ambitious project, which will involve multiple Boston-area music groups, is slated to run the next eleven seasons. The goal will be to present every note the great man wrote. And a homage to the late Richard Dyer, the chief classical music critic of “The Boston Globe” for three decades.
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