Review

Concert and Album Review: Fernando Huergo Big Band, “Relentless”

October 5, 2024
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If Fernando Huergo’s band of A-list Boston players sounded especially inspired, it was certainly in no small part due to what he was giving them to play.

Book Review: “We Have Never Been Woke” — Privileged Sleepers

October 4, 2024
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Musa Al-Gharbi’s provocative book undercuts the left elite by pointing out the hypocrisy of its well intentioned rhetoric. The “woke” live comfortable lives because of the very inequities they condemn.

Book Review: “Creation Lake” — A Jumble of Fact and Whimsical Imagination

October 4, 2024
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Rachel Kushner’s latest novel is mélange of vignettes, stand-alone or linked flash essays, and portentous bits of wisdom.

Film Reviews: New York Film Festival — A Trio of Memorable Recent Restorations

October 4, 2024
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The New York Film Festival’s Revivals section offers a preview of valuable recent restorations. Even if these superb movies don’t all make it to American theaters, they’re likely to pop up on physical media or VOD.

Film Review: “Joker: Folie à Deux” — “Morning in America” as Musical Nightmare

October 3, 2024
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This is a work of towering, masterful, sustained cinematic rage set at the dawn of the Reagan Era.

Design Review: “Polinature” — A Plug-in Vertical Garden That Fights Climate Change

October 2, 2024
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Projects like “Polinature” overcome reams of bureaucracy, reinforced by government inertia, in order to improve our environment in admirably cost effective and efficient ways.

Concert Review: In Austin, Texas — Three Major Acts of State-of-the-Art Progressive Jazz

October 2, 2024
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It was all intense, bracing, and urgent jazz in Austin last week. I don’t know how all y’all spoiled New Yorkers keep your heads from exploding.

Film Review: “In The Summers” — Coming of Age Never Stops

October 1, 2024
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This nuanced study in domestic malfunction is as universal as it is heartbreaking.

Book Review: Paolo Giordano’s “Tasmania” — A Brilliant Novel about Being Blinded by Personal Catastrophes

October 1, 2024
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An absorbing novel that builds steadily, not to a shattering or violent conclusion (all the violence is in the past or offstage) but to a quiet release that is humane and persuasive.

Film Review: “A Different Man”– Odd Man Out

September 30, 2024
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It is on the universal theme of identity that “A Different Man” resonates most eloquently, demonstrating how who we are is not fixed but chosen, a mask we don whether it fits or not.

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