Review
With visionary daring, Elllen Wilbur leads us into unexpected corners, then transcends them profoundly and beyond expectation. Such stories are more than “moral fictions.” They are soul-shakers.
It is serendipitous that James Ehnes added Brahms’ two viola sonatas to his repertoire; Patrick Messina, Lise Berthaud, and Fabrizio Chiovetta’s new recording of Bruch’s “8 Pieces for Clarinet, Viola, and Piano” serves the piece admirably.
Given the current state of the world, we need more shows that not only entertain, but reflect the importance of community. And, if those programs accurately portray a close-knit group of people that has been misrepresented, all the better.
Despite its title, this YA novel would be best described as an exercise in magic realist satire. Those looking for heaping helpings of the affluent will be disappointed.
A conspicuously inviting account of Béla Bartók’s Duke Bluebeard’s Castle, and a welcome surprise: Aram Khachaturian actually wrote a pretty good piano concerto.
One thing, among others, that sets Jason Isbell apart from his country scene contemporaries is that he isn’t afraid to break the all-American code of manly stoicism.
In three books of oblique self-reflection Italian philosopher Giorgio Agamben explores and exposes the artistic and intellectual thresholds that have been central to his life and to the life of his mind.
Initially, Antonio Muñoz Molina’s resonant novel seems to be the study of the moods and challenges of a man waiting for the only person who gives his life meaning.
Prices for Broadway tickets are out of control. But that’s not stopping people from buying them — provided they get to see the right Hollywood stars.
A renowned 18th-century master struts his stuff, helped by a skillful young Italian tenor, in an opera first performed in Russia.
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