Review
This might not be everybody’s idea of who Maria Callas was, but the film is plausible, and honest. You can watch Angelina Jolie’s Maria and think, so that’s what it was like to be her.
An argument for this collection might be that anything anyone writes from prison should be published, since whatever it is, it will inform readers regarding the grim circumstances about two million of our fellow citizens endure everyday, day after day.
On his live recordings, B.B. King displayed his brilliant use of stagecraft and pacing. He was one might call a mastro of manipulation.
The refrain leveled at so many brilliant woman artists is also often attached to Modersohn-Becker: she died too young for us to really know if she could have achieved greatness. But that claim does not hold up in the face of the works here.
Jesus Lizard remains one of rock’s most fearsome combos, and this night the veteran band delivered one of 2024’s most memorable shows.
I encourage anybody interested in the current state of opera to get to know Michael Dellaira’s “The Leopard”.
Violinist Kristin Lee revels in ragtime; pianist Jihye Chang commissioned a series of keyboard etudes from eight Boston-based composers.
Conductor Robert Treviño celebrates what we might call the dawning of the North American vernacular school; composer Ethan Iverson displays a fascination with instrumental color.
“Queer” breaks new artistic ground for an artist whose visionary talent is already well-established.
Book Commentary: “Taming Silicon Valley” — Man Over AI
The kinds of regulations Gary Marcus proposes, however well-intentioned they may be, would — in practice — only end up further disenfranchising the masses.
Read More about Book Commentary: “Taming Silicon Valley” — Man Over AI