Review

Theater Review: R. Buckminster Fuller — I Sing the Body Geodesic

January 20, 2011
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D.W. Jacobs’s presentation of the life and ideas of American visionary R. Buckminster Fuller invites you to make your own intellectual structure out of what you have seen—connect Fuller’s dots and you have an image that expands your mental horizons or at the very least ups your powers of analysis and recall. R. Buckminster Fuller:…

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Book Review: A Brilliantly Phantasmagorical “Calendar of Regrets”

January 17, 2011
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A novel of echoes, reflections (sometimes inverted), and criss-crossing lines, Lance Olsen’s Calendar of Regrets locates nodes of intersection, spotlights the forgotten, and magnifies the unnoticed. Calendar of Regrets by Lance Olsen. Fiction Collective, 456 pages, $22. By Vincent Czyz Lance Olsen’s Calendar of Regrets had me from the opening scene: a vividly imagined and…

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Theater Review: Musical Matchgirl Multitasking

December 15, 2010
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As a holiday concert experience, however, the show, ably performed by the SpeakEasy cast, amuses and induces toe-tapping. For those grumpy about sentimental Xmas entertainment, “Striking 12” delivers cheer, uplift, and plenty of musical talent while remaining blissfully devoid of the usual saccharine, holiday-show sentimentality. Striking 12. Book and Lyrics by Brendan Milburn, Rachel Sheinkin,…

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Book Review: A Pair of Darkly Jolly Jolleys

December 14, 2010
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But make no mistake about these two novels; they are not just delicious, hilarious capers. They glow in the mind because they are informed by Elizabeth Jolley’s understanding of our common loneliness and her sympathy with the myriad, ingenious connections we make to try to alleviate it. The Sugar Mother by Elizabeth Jolley. Persea Books,…

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Book Review: Herman Melville and the Solace of Movement

November 28, 2010
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“Life, you see, is a lonely business . . . When there is a storm, it’s best to turn into the teeth of it. Don’t fly away, allowing an evil wind to come upon you from the stern. That’s our weakest part. We’re rib cage and metal up front. The bow is always best. Head…

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Book Review: Of Spongy Minds and Award-Winning Books

November 26, 2010
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Call it anarchistic boorishness, an artist chomping on the hand that feeds him. But at least Thomas Bernhard is honest about why he welcomes awards — he wants the money, especially because the amounts, given European largess to its culture-makers, are considerable. My Prizes: An Accounting by Thomas Bernhard. Translated from the German by Carol…

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Judicial Review #3: Gish Jen’s World and Town [Updated2x]

November 23, 2010
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Gish Jen’s novel about New England small-town life in the new millennium, “World and Town,” has just come out in a paperback. We greeted the hardback edition of the book with a Judicial Review, a fresh approach to creating a conversational, critical space about the arts. It is a good time to highlight the innovative approach again. The aim is to combine editorial integrity with the community—making power of interactivity.

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Welcome to the Newly Upholstered Arts Fuse!

September 2, 2010
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The Arts Fuse began as my blog after the untimely end of NPR/WBUR Arts Online. But, as more writers and critics wanted to make their voices heard, the blog became a magazine. So, I decided to make it a New England focused magazine modeled on other pioneering efforts to cover the news online, such as…

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Book Review: “Freedom” — Jonathan Franzen Unbound

August 29, 2010
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Jonathan Franzen’s new novel is the talk of the town, but does it have anything to say? Freedom: A Novel, by Jonathan Franzen. Farrar, Straus, and Giroux, 576 pages, $28. Reviewed by Tommy Wallach In two days, Farrar, Straus, and Giroux will publish Freedom, the new novel by Jonathan Franzen whose last book, The Corrections,…

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Judicial Review #2: Serenade/The Proposition at Jacob’s Pillow

August 6, 2010
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What is a Judicial Review? It is a fresh approach to creating a conversational, critical space about the arts. The aim is to combine editorial integrity with the community—making power of interactivity. This is our second session. Hear Ye! Hear Ye! For dance critic Debra Cash, Serenade/The Proposition, the first of Bill T. Jones’s investigations…

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