Review
The most important takeaway from American Justice 2014 is the potential danger, from Epps’s perspective, of the growing influence of Justice Alito.
The actors in the central roles are extremely fine, particularly Kathleen McElfresh’s beautifully nuanced performance as the anguished Bridget O’Sullivan.
Brandy Burre is a trained actress who is artfully aware of the camera and its power: the director uses her skill as a performer to animate the film.
These films demonstrate what’s often so great about documentaries: here’s where you find real courage and everyday heroism, and not in mythic, muscular, blockbusters.
May Father Comes Home From the Wars (Parts 1, 2 & 3) fill the Loeb Drama Center to the brim and then some.
Nathan Benn’s gorgeous color photographs paint a complex vision of Vermont as a place of constancy and change.
Go ahead, name another older rocker this side of Iggy Pop who can get away with playing most of his show bare-chested.
The Schumann First formed the capstone to conductor Asher Fisch’s conspicuously satisfying Boston Symphony Orchestra subscription series debut program
Breath & Imagination is a realistic, moving, and very revealing take on what it means to be a black artist in America, both then and now.
At every turn I sense potential in The Americans, always untapped, for a smart sitcom.
Music Commentary: Brian Wilson’s Legacy Thrives — 2026 Reissues Reviewed