Review
Tram 83 mirrors the most sordid and chaotic features of contemporary African cities, in which non-Africans also remain intimately and often deviously involved.
Although there is a strangely dour tinge to this biography of Peggy Guggenheim, Francine Prose is ultimately fair.
The premise of the show, and especially the catalogue, is to put Corita Kent her rightful place in the pantheon of major American Pop artists
it’s useful to be reminded that Ronald Reagan, the revered All-American icon, was more simulacrum than savior.
ASP director Bridgette Kathleen O’Leary chooses a nuanced approach to Othello that hews closely to the text.
Theo Jansen’s kinetic sculptures delightfully blur the conventional lines that divide art, science, and storytelling.
It is no longer enough for a playwright to go into the belly of the ‘beast’ and pray for help.
The actors draw you in, so there is no need for extraneous exposition as the film carefully examines the ironies of the Brazilian class system.
This show’s eclectic score is more progressive than what is typical of our determinedly conservative modern musical theater genre.
This film, written and directed by Lucie Borleteau, is not exactly feminist, nor need it be.
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