Review
The problem is that John August’s book for the musical lacks most of what made his screenplay for the 2003 film so emotionally resonant for so many.
French writer Pascal Quignard strives to peer beyond, or behind, what psychoanalysts typically rationalize as the primal parental realities.
From The Deep suggests that Boston’s theater community would be better served if it put more of its resources into presenting the work of local literary talent.
Pianist Simone Dinnerstein’s new album, Broadway-Lafayette, features her on three pieces, all written since 1924, that celebrate musical ties between France and the United States.
The puckish, irrepressible personality of James Randi — magician, escape artist, debunker of seers, psychics, and all things paranormal — is at the zesty heart of this memorable documentary.
If these efforts are representative of Icelandic cinema, it is time for movie lovers to start paying much closer attention.
After hearing pianist Daniil Trifonov in this recital performance, I would say no one on the celebrity circuit has a more impressive technique.
The opportunity to hear Leoš Janáček’s magnificent score live ultimately trumps any reservations I have about the production as a whole.
Yasmina Reza’s dollhouse of a novel is a miniaturist’s miracle.
Culture Clash’s view of America will discomfort, which is all the more reason that I urge you — strongly — to attend.
Design Review: The Look of the 2026 Milano Cortina Winter Olympic Games