Review

Poetry Review: “It’s Like That If You’re Alive” — The Poetry of Tone Škrjanec

March 6, 2015
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Looking deeply into things and, by no means least of all, into other human beings implies meditating on brevity, on ephemerality—and this is what Tone Škrjanec does in this book.

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Book Review: Ned Beauman’s Unconventional “Glow”

March 6, 2015
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Glow is a witty, accessible, but at times overly ambitious journey through the world of exotic drugs, the chemistry of romance, and the insidious effects of globalization.

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Fuse Theater Review: “Grounded” — The Costs of a Long-Distance War

March 6, 2015
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Celeste Oliva’s performance is so raw, we experience every doubt, every fear, and watch her confidence slowly evaporate under pressure.

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Film Review: Listening to Voices from the “Underground” — Once Again

March 5, 2015
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Underground director Emile de Antonio saw films as “a way to make art out of political raw material.”

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Book Review: Colm Tóibin On Elizabeth Bishop

March 5, 2015
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In some essential and large way, novelist Colm Tóibin gets Elizabeth Bishop right.

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Dance Review: Sarasota Ballet Will Perform New England Premieres at Jacob’s Pillow

March 5, 2015
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The Sarasota Ballet will make its New England debut at Jacob’s Pillow in August with a program that includes two works of mid-20th century choreographer Sir Frederick Ashton.

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Dance Review: Where Minimalism Went

March 4, 2015
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Minimalism doesn’t make narrative or emotional demands. It shows you a surface, and if there’s anything below the surface, you draw your own conclusions.

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Album Review: Noel Gallagher’s High Flying Birds “Chasing Yesterday”

March 3, 2015
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If you’re interested in ol’ reliable Noel Gallagher songs, there are a couple of examples on Chasing Yesterday

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Fuse Theater Review: “Intimate Apparel” — An Affecting Vision of Constriction

March 2, 2015
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The Lyric Stage is presenting a moving production of Lynn Nottage’s cautionary tale about strength of character tragically misdirected.

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Concert Review: Violinist Julia Fischer and the Boston Symphony Orchestra

March 1, 2015
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Julia Fischer’s account of Brahms’s Violin Concerto with the Boston Symphony Orchestra (BSO) this weekend was nothing if not dynamic and impressive.

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