Review
None of these pedigrees guaranteed that The Old Ceremony’s music would live up to the promise. After all, cool by association does not equal great on one’s own.
Federico García Lorca’s Blood Wedding remains edgier than most American fare in this century.
Party Girl has won a plethora of festival awards, including two at Cannes in 2014.
The film proffers a winning combination of goofy humor and social critique.
The star of The Easy Way Out is its splendidly quick pacing, which gives it more of the feel of an American film than one would expect.
Mechanical as Chic!’s story is, it is rare to have this kind of French fluff put across with so much charm and vivacity.
In Kinship, dramatist Carey Perloff hasn’t found a language that conveys irrational longing.
Zoë Anderson’s volume aims to give readers a handy way to discern the most influential ballets from among the confusing proliferation that we find in today’s repertory.
While 887 explores the political, historical, and cultural ramifications of centuries-old racism, Robert Lepage never panders to victim mentality polemics.
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