Review

Theater Review: Yale Rep’s “Caucasian Chalk Circle” — Singing Well About Our Dark Times

April 10, 2015
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Those who want to experience the brilliance of Bertolt Brecht at its mellowest should head down to Yale Rep’s lively and moving production of The Caucasian Chalk Circle.

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Book Review: “Erebus” — A Brilliant Hybrid That Bears Witness to Tragedy

April 10, 2015
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Erebus is wonderful, original book that defies categorization.

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Visual Arts Review: Duane Michals — Photography as Amazement

April 10, 2015
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The photographer and the exhibition both make much of his outsider status and radical departure from the classic, reserved aesthetics of American art photography.

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Poetry Review: “The New Oxford Book of War Poetry” — The Duty to Run Mad

April 8, 2015
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Editor Jon Stallworthy’s preference in this superb anthology is for poems that question, or provoke questions about, war.

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Book Review: “Shame” — Racism and the Sins of Paternalistic Liberalism

April 8, 2015
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According to Shelby Steele, white liberals “dissociate” themselves from the past sins of white America by subscribing to the “poetic truth” that the United States is “characterologically evil.”

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Theater Review: Lyric Stage’s “City of Angels” — A Witty, Jazzy Delight

April 7, 2015
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The Lyric Stage Company’s entertaining production of this Tony-winner for best musical, book, and score hits most of the right noirish notes.

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Book Review: When Fate Totters — Pascal Garnier’s Bleak Romans Noirs

April 7, 2015
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Pascal Garnier’s characters slip through cracks, cross borders, pass through the thin mirrors of the self, and commit irreparable acts.

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Concert Review: Violinist Christian Tetzlaff, Andris Nelsons, and the BSO — Electrifying

April 6, 2015
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Saturday’s was the most electrifying, exciting, spontaneous-sounding, inevitable performance of this warhorse (Beethoven’s Violin Concerto) I’ve heard.

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Television Review: Netflix’s Flimsy “House of Cards”

April 6, 2015
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For all the attention it receives and the level of cultural relevance it assumes House of Cards ought to be a much better series than its aggressive promotion makes it out to be.

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Film Review: “Magician: The Astonishing Life of Orson Welles” — What’s the Rush?

April 5, 2015
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At a mere 1 hour and 34 minutes, Chuck Workman’s documentary about Orson Welles is rushed and sometimes choppy, leaping through the filmmaker’s bountiful life.

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