Review
In an architectural sense, the Edward M. Kennedy Institute is too quiet a visual statement.
Read MoreGiven that these two virtuoso pianists were in a jubilant, hometown mood, this was a concert that could hardly fail to please.
Read MoreThe strong connections between Andy Warhol’s early drawings and his later Pop-pieces become clear as you walk through the exhibition.
Read MoreDespite the well-intentioned efforts of the cast, Eli Wiesel’s words were lost in space.
Read MoreNo Pier Pressure is Brian Wilson’s 11th solo album and it shows little diminution of his still-prodigious talents.
Read MoreWoman in Gold has novelty going for it — it is a film that depicts a woman’s passionate relationship to a piece of art.
Read MoreFeaturing seven short dances by stellar choreographers of contemporary dance, the Harvard Dance Center’s spring program promised some rare enlightenment.
Read MoreThe beauty of David Cromer’s production of Come Back, Little Sheba that by focusing on the play’s intense psychological undercurrents he minimizes its cultural mustiness.
Read MoreTwo current productions make vivid cases for the strength of Canadian theater.
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