Review
It is worth your time watching Shakespeare & Company’s two fine actresses come to an understanding that is cathartic and real.
Sunday’s performance of Il ritorno d’Ulisse in patria—by a company whose members know each other’s abilities, voices, and personalities well—gave every indication of an extraordinary week ahead.
This study is an attempt to “enter” a foreign way of thought and to study the “possibilities” and, by extension, “potential mindsets” of the human mind.
Actor Russell Crowe’s directorial debut is visually gripping and very well acted — but its ending is disappointingly hokey.
Paul Dano invests the younger Brian Wilson with focused ecstasy, especially during his creation of the landmark album, Pet Sounds.
To say that Odyssey Opera continues to set the bar for opera performances in Boston may be a bit superfluous, but it’s true.
The sound was often so inviting that it seemed Wire were easing comfortably into middle age.
Bill Frisell and his quartet performed a program of well-worn American hits whose juxtapositions allowed you to make your own cross-references and draw your own conclusions.
In his Boston Globe review, Ty Burr complained Félix and Meira was needlessly slow in the telling. I felt that the movie is needlessly discreet.
Design Review: The Look of the 2026 Milano Cortina Winter Olympic Games