Review
Adapting such a monumental work, a novel that is loved by so many, is both ambitious and risky.
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The book marks a marvelous entrance by an important new heroine onto the mystery stage: a drag queen, who goes in and out of her drag character as she investigates the murder of a friend.
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For those who are new to rom-coms, “Falling in Love at the Movies” is an informative introduction to their mechanics.
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At its best, this script offers an opportunity for audiences to cast a backward glance at the first stirrings of dramatist Lynn Nottage’s prolific canon.
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The new bio-doc about producer-musician Brian Eno looks at the artist’s life and his creative process in a deliberately provocative new format.
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Like all accomplished directors – and architects – Brady Corbet has orchestrated a team of outstanding collaborators into shaping his vision.
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In their latest divinely idiosyncratic romp, Wallace & Gromit take on the threat of that most impersonal and worrisome technology: AI.
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This is a chilling tale of the (last) Cold War, and footage of Teslas and iPhones serves as a potent reminder that the struggle for global natural resources, in the Third World and beyond, continues.
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Let’s hope that “The Last Showgirl” launches a new phase in Pam Anderson’s career.
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“Pepe” is an immense achievement: one of the most formally and politically radical narrative films to turn up on the international festival circuit in 2024.
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