Review
What interested me about Bitches Brew was the chance to discover how choreographer Karole Armitage re-rigs classical ballet steps.
The Rasas are but the latest in a series of remarkable scores John Harbison has been turning out over his eighth decade.
Once and For All asserts the value of Delmore Schwartz’s provocative and multifaceted literary legacy.
Legally Blind contains sufficient satiric sting because it takes aim at the current fashion for musicals in which handicapped souls are healed.
Jazz groups of eight to eleven often make fascinating and unusual music, but they rarely survive.
But dissonance is at the edge of everything you hear at the New Orleans Jazz & Heritage Festival — a sound that contains multitudes.
Reality is the driving force behind the suspense in this film’s look at the lurid underbelly of post-war Germany.
Even the hippest of us can succumb to a deep longing for harmony, lush orchestration, and magic.
A vital part of Susan Graham’s appeal is her winning personality; she makes a recital hall audience happy to be here before she sings a note.
Murray Talks Music shows how brilliant Albert Murray could be even when he didn’t have time to polish his prose.
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