Review
Seeing the rugged minimalism of golf in its infancy was very appealing.
Sometimes new music isn’t really new and old music isn’t actually old; the best of it exists on some other plane entirely.
Get Out owes much to the small but precious film genre that dares to cultivate bizarre and hip satire.
Olivia Kate Cerrone tells this story in raw, blunt terms, in a naturalistic mode worthy of Zola.
The Boston Conservatory production of Mass was mostly frustrating, but Leonard Bernstein’s score came across very strongly.
A welcome triumph for Hyperion, Bruch, and the Nash Ensemble, but the Oregon Symphony does not do right by Haydn.
The fiery excellence of Handel and Haydn Society’s collective effort made Monteverdi’s epic masterpiece sparkle like a star.
The script softens up the issue of patriarchal authoritarianism by plugging it into a family comedy structure.
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