Review

Stage Review: “Sinners” — Theater that Matters

March 29, 2017
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Questioning Joshua Sobol’s right to write about these kinds of intimate atrocities is to suggest that stages should never address these issues.

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DVD Review: “Canoa: A Shameful Memory” — A Masterpiece of Mexican Political Cinema

March 28, 2017
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Canoa is a historical drama about the horror of history, made all the more frightening because it is based on a true story.

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Concert Review: Grand Harmonie’s March Madness

March 28, 2017
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This invigorating, sometimes unpredictable, Beethoven-heavy program certainly offered its share of athleticism and energy.

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Film Review: The Maine Jewish Film Festival — “BANG! The Bert Berns Story”

March 27, 2017
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A documentary about the most important songwriter and record producer from the sixties that you’ve never heard of.

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CD Reviews: Petrenko’s Elgar and Orozco-Estrada’s Dvořák

March 27, 2017
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Vasily Petrenko and the Royal Liverpool Philharmonic Orchestra serve up some curious and, from time to time, rather languorous Elgar.

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Dance Review: Boston Ballet’s “Kylián/ Wings of Wax”

March 26, 2017
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Kylián’s astute choice of musical selections helped gave a structural shape to “Wings of Wax.”

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Visual Arts Review: A Luminous “Lumia” at Yale University Art Gallery

March 26, 2017
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The result is reminiscent of a Mark Rothko painting — if it was projected through the refracted light of a prism.

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Music Review: The Rolling Thunder of Kodō’s DADAN

March 25, 2017
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With each piece, the impressive physicality of Kodō’s drummers becomes even more theatrical.

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Film Review: “Song to Song” — All You Need is Love?

March 25, 2017
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Terrence Malick attempts to liven up this hackneyed soap/rock opera with his signature swooping camera moves and stunning cinematography.

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Film Review: “The Devil’s Candy” — Wouldst Thou Like to Die, Deliciously?

March 24, 2017
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Horror fans in search of a smarter-than-average thriller that will make their viscera quiver should not miss this one.

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