Review
The ethical deliberations and the professional backbiting and banter of the doctors fare well in the skilled hands of the director and cast.
John Beasley and his big band doesn’t tame Monk or make him uncharacteristically pretty.
Why didn’t a legal mind as brilliant as Richard Posner’s get to the Supreme Court? One suspects his candor and bluntness.
American Moor is a terrific meditation on Othello and race.
I Called Him Morgan has been lauded as one of the best films of the year, and rightfully so.
Dominique Abel and Fiona Gordon’s vision tries to elevate the everyday to a realm of magic by way of the absurd.
To their credit, replacing Freddie Mercury is not something his surviving bandmates have ever tried to do.
Detroit leaves the ethical questions it raises open.
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