Review
The Fest’s music is mostly about audience participation — whether it’s dancing, sing-a-longs, or shouts of call-and-response.
This Sleeping Beauty teaches the audience that fussy costumes and wigs and long-winded storytelling are the apex of ballet.
Lydia R. Diamond’s dialogue is funny and cutting; when it needs to it digs deep, mining gems of psychological insight.
My 80-Year-Old Boyfriend is a joyous delight, an irresistible reminder that time flies.
Kendrick Lamar has produced a scattered album for a scattered time.
George Prochnik’s biography of Gershom Scholem is flawed, but well worth reading, especially for those struggling with their Jewish and Israeli identities.
Debra Wise’s stellar turn is not only a reflection of her long stage career, but a testament to the breadth of her experience.
This thoroughly cockamamy world offers the kind of guilty pleasure that you hope never ends.
Alannah Hopkin demonstrates a near impeccable sense of craft, including a talent for coming up with surprises.
There aren’t too many ensembles around that consistently remind us how fresh, rich, diverse, and thought-provoking contemporary can be.
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